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Nevo99 Studio

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Graphic Design | ืขื™ืฆื•ื‘ ื’ืจืคื™

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Editing |  ืขืจื™ื›ื” ื•ืขื™ืฆื•ื‘ ืžื“ื™ื”

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Photography | ืชื™ืขื•ื“ ื•ืฆื™ืœื•ื

ืื ื—ื ื• ืขื•ืกืงื™ื ื‘ืขื™ืฆื•ื‘ ื’ืจืคื™ ื‘ืžื’ื•ื•ืŸ ืจื—ื‘ ืฉืœ ืืคืฉืจื•ื™ื•ืช: ืžื•ื“ืขื•ืช, ืคืœื™ื™ืจื™ื, ื“ืคื™ ื ื—ื™ืชื”, ืืœื‘ื•ืžื™ ืชืžื•ื ื•ืช, ืกืคืจื™ื, ื—ื•ื‘ืจื•ืช, ืขื™ืฆื•ื‘ ืงื™ืจื•ืช, ืœื•ื—ื•ืช ืฉื ื”, ืขื™ืฆื•ื‘ ืœื•ื’ื•ืื™ื ื•ืขื•ื“. ื‘ื ื•ืกืฃ, ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ื”ื ืคืฉืช ืœื•ื’ื•ืื™ื ื•ื‘ื”ื•ืกืคืช ืชื ื•ืขื” ืœืงื‘ืฆื™ื ืกื˜ื˜ื™ื™ื ื”ืžื•ืชืืžื™ื ืœืฉื™ืžื•ืฉ ื‘ืืชืจื™ ื”ืื™ื ื˜ืจื ื˜ ื•ื‘ืจืฉืชื•ืช ื—ื‘ืจืชื™ื•ืช.

ื‘ืกื˜ื•ื“ื™ื• ืฉืœื•ืฉ ืขืžื“ื•ืช ืขืจื™ื›ื”: ืขื‘ื•ืจ ืกืจื˜ื™ื ืชื™ืขื•ื“ื™ื™ื ืืจื•ื›ื™ื, ืขื‘ื•ืจ ืขืจื™ื›ืช ื”ื ืคืฉื”, AI, ื•ืœืขืจื™ื›ื” ื‘ืชื•ื›ื ืช AfterEffects, ื•ืขื‘ื•ืจ ืกืจื˜ื•ื ื™ื ืงืฆืจื™ื ื•ืงืœื™ืœื™ื ื•ืœืฆื•ืจืš ื”ืคืงืช ื›ืชื•ื‘ื™ื•ืช. ื›ืš ืžืชืืคืฉืจ ืœื ื• ืœืขื‘ื•ื“ ื‘ืžืกืคืจ ืคืจื•ื™ื™ืงื˜ื™ื ื‘ื• ื–ืžื ื™ืช ื•ืœืขืžื•ื“ ื‘ืœื•ื—ื•ืช ื–ืžื ื™ื ืฆืคื•ืคื™ื.

ื‘ืจืฉื•ืชื™ื ื• ืฆื™ื•ื“ ืฆื™ืœื•ื ื”ืžื•ืชืื ืœืžื’ื•ื•ืŸ ืกื•ื’ื™ ืกืจื˜ื™ื ื”ื›ื•ืœืœื™ื ืžืฆืœืžื•ืช ืฉื•ื ื•ืช ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื” ืขื‘ื•ืจ ืฆื™ืœื•ืžื™ ื—ื•ืฅ ื•ืคื ื™ื ืœืžื’ื•ื•ืŸ ื™ื™ืขื•ื“ื™ื ื•ื‘ื ื•ืกืฃ ืื•ืคืฆื™ื” ืฉืœ ืขื‘ื•ื“ื” ืขื ืฆืœืžื™ื ื ื•ืกืคื™ื ืœื™ืžื™ ืฆื™ืœื•ื ืฉื•ื ื™ื, ืขื ืืคืฉืจื•ืช ืœืฆื™ืœื•ืžื™ื ื‘ืืจืฅ ื•ื‘ื—ื•"ืœ.

We engage in graphic design in a wide variety of options: press, ads, flyers, landing pages, photo albums, books, brochures, calendars, logo design, and more. In addition, we use animating logos and adding movement to static files adapted for use on websites and social networks.

We have three editing stations: for long documentaries, for animation editing and editing in the AfterEffects software, and for short and light videos and for producing subtitles. This allows us to work on several projects at the same time and successfully meet tight schedules.

We have photographic equipment adapted to a variety of types of film, including various high-quality cameras for outdoor and indoor photography for a variety of purposes, and in addition, the option of working with additional photographers for different shooting days, with the possibility of filming in Israel and abroad.

Projects to watch | ืžื‘ื—ืจ ืคืจื•ื™ื™ืงื˜ื™ื

ืืœื•ืŸ ืื”ืœ ื—ื–ืจ ื”ื‘ื™ืชื”. 24 ื‘ืื•ืงื˜ื•ื‘ืจ 2025
02:12
ืกื™ืคื•ืจ ื—ื™ื™ื• ืฉืœ ืืœื™ ืืจื–ื™ | ืชืงืฆื™ืจ ื”ืกืจื˜
04:27
ื”ื˜ื™ืงื˜ื™ื ืกืงื™ื / ืกืจื˜ ืžืฉืคื—ืชื™
21:33
ืกืจื˜ ื–ื™ื›ืจื•ืŸ ืœื–ื›ืจื• ืฉืœ ื“ื•ื“-ื™ืฉืจืืœ (ื“ื•ื“ืœื™) ื–ื™ื ื’ืจ ื–"ืœ
06:29
ืกืจื˜ื•ืŸ ืชื“ืžื™ืช ื—ื‘ืจืช ื”ื™ื™ืœื™ืคื˜ ืžืขืœื™ื•ืช
01:54
ื–ื›ืจื•ื ื•ืช ืžื™ืฆื”ืจ | ืœื–ื›ืจื• ืฉืœ ืจืก"ืŸ (ื‘ืžื™ืœ') ื™ืฆื”ืจ ื”ื•ืคืžืŸ
12:14
ืขืœ ื’ื‘ื•ืœ ื˜ื™ืจืื ื• | ื™ื•ื ื” ืขืžื™ืช
02:55
A Jewish Descendant โ€“ The story of Holocaust survivor Jakub Weksler Waszkinel
36:07

Movies, clips and presentations | ืกืจื˜ื™ื, ืงืœื™ืคื™ื ื•ืžืฆื’ื•ืช

ืกืจื˜ื•ื ื™ื ื•ืงืœื™ืคื™ื ืžืฉืคื—ืชื™ื™ื
Family videos and clips 

ืื ื—ื ื• ืขื•ืกืงื™ื ืœืžืขืœื” ืžืขืฉืจื™ื ืฉื ื” ื‘ื™ืฆื™ืจืช ืกืจื˜ื™ ืชืขื•ื“ื” ืงืฆืจื™ื ื•ืืจื•ื›ื™ื, ืกืจื˜ื™ ืžืฉืคื—ื”, ืกืจื˜ื•ื ื™ื ืœืื™ืจื•ืขื™ื, ืกืจื˜ื™ ื–ื™ื›ืจื•ืŸ ื•ืขื•ื“. ื”ืกืจื˜ื™ื ืขืจื•ื›ื™ื ื‘ืžืงืฆื•ืขื™ื•ืช 
ื‘ืฉื™ืœื•ื‘ ืงื˜ืขื™ ืืจื›ื™ื•ืŸ, ืชืžื•ื ื•ืช, ืงื˜ืขื™ ื•ื™ื“ืื• ื™ืฉื ื™ื, ื›ืชื•ื‘ื™ื•ืช ื•ื‘ื ื•ืกืฃ- ืขืจื™ื›ืช ืงืœื™ืคื™ื ืงืฆืจื™ื ืžืชื•ืš ืงื‘ืฆื™ ื”ืชืžื•ื ื•ืช ื•ื”ืกืจื˜ื•ื ื™ื ื”ืžืฉืคื—ืชื™ื™ื.

We have been engaged for over twenty years in the creation of short and long documentaries, family films, videos for events, memorial films and more. The films are professionally edited
Combining archive clips, photos, old video clips, subtitles and in addition - editing short clips from the family photo and video files.

ืชื ื•ืขื” ื•ื”ื ืคืฉื”
Movement and Animation

ื‘ื ื•ืกืฃ ืœืขื™ืฆื•ื‘ ื‘ืกื™ืกื™ ืฉืœ ืœื•ื’ื•ืื™ื ืœืขืกืงื™ื ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ื™ืฆื™ืจืช ืชื ื•ืขื” ืœืœื•ื’ื•ืื™ื ื”ื’ืจืคื™ื™ื ื›ื“ื™ ืฉื™ื•ืชืืžื• ืœืฉื™ืžื•ืฉ ื‘ืกืจื˜ื•ื ื™ื ื•ื‘ืžื“ื™ื” ื”ื—ื‘ืจืชื™ืช. ื”ืืคืฉืจื•ื™ื•ืช ืœื”ื ืคืฉื” ื”ืŸ ืจื‘ื•ืช ื•ื ื™ืชืŸ ืืฃ ืœื”ืชืื™ื ืžื•ืกื™ืงื” ืงืฆืจื” ื•ืžื“ื•ื™ื™ืงืช ืœืœื•ื’ื• ื”ืžื•ื ืคืฉ ื›ืš ืฉื ื™ืชืŸ ื™ื”ื™ื” ืœื”ืฉืชืžืฉ ื‘ื• ื›ืกืจื˜ื•ืŸ ืœื›ืœ ื“ื‘ืจ.

In addition to the basic design of logos for businesses, we use traffic generation for the graphic logos so that they are adapted for use in videos and social media. The possibilities for animation are many and you can even match short and precise music to the animated logo so that it can be used as a video for anything.

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ืื•ืœืคืŸ ื™ืจื•ืง
Green Studio

ืื ื—ื ื• ืขื•ืกืงื™ื ื‘ืฆื™ืœื•ื ื•ื‘ืขืจื™ื›ืช ืกืจื˜ื•ื ื™ื ืฉื™ื•ื•ืงื™ื™ื ื•ืžืฉืคื—ืชื™ื™ื ื‘ืขื–ืจืช ืฆื™ื•ื“ ื ื™ื™ื“ ืฉื ื™ืชืŸ ืœื”ืงื™ืžื• ื‘ื›ืœ ืคื™ื ื” ื‘ื‘ื™ืช. ื‘ืขืจื™ื›ื” ื•ื‘ืฉื™ืžื•ืฉ ื‘ืชื•ื›ื ืช 'ืืคื˜ืจ' ื”ืกืจื˜ื•ืŸ ื ืจืื” ื™ื•ืงืจืชื™ ื›ืื™ืœื• ื”ื•ื ืฆื•ืœื ื‘ืžืงื•ื ืื—ืจ ื’ืœื•ื‘ืœื™ ื•ืœื ื‘ื—ื“ืจื•ืŸ ื”ืงื˜ืŸ ืฉื‘ื‘ื™ืช.

We are engaged in photography and editing of marketing and family videos with the help of mobile equipment that can be set up in any corner of the house. Editing and using the 'After' software, the video looks luxurious as if it was shot somewhere else globally and not in the small room at home.

ืฆื™ืœื•ืžื™ ืื•ื•ื™ืจื” ื‘ืจื—ื‘ื™ ื”ืขื•ืœื
Atmospheric photography around the world

ืื ื—ื ื• ืžืคื™ืงื™ื ืฆื™ืœื•ืžื™ ืื•ื•ื™ืจ ืขื‘ื•ืจ ืกืจื˜ื™ื ืชื™ืขื•ื“ื™ื™ื ื•ืขื•ื‘ื“ื™ื ืžื•ืœ ืฆืœืžื™ื ื‘ืจื—ื‘ื™ ื”ืขื•ืœื. ื”ื—ื•ืžืจื™ื ืžืขืฉื™ืจื™ื ืืช ื”ืกืจื˜ื™ื ื•ืžื‘ื™ืื™ื ืื•ืชื ื˜ื™ื•ืช ืžืžืงื•ืžื•ืช ื‘ื”ื ื—ื™ื• ื”ื“ืžื•ื™ื•ืช ืขืœื™ื”ื ืื ื—ื ื• ืžืคื™ืงื™ื ืืช ืกืจื˜ื™ ื”ืชืขื•ื“ื”.

We produce aerial photographs for documentaries and work with photographers around the world. The materials enrich the films and bring authenticity from places where the characters lived on which we produce the documentaries.

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 Documentary films | ืกืจื˜ื™ ืชืขื•ื“ื”

ื”ืคืจื™ื“ื” ืžืืžื | ื”ืจื‘ ื™ืฉืจืืœ ืžืื™ืจ ืœืื•
06:53
ื›ื•ืœื ืขื‘ืจื• ืขืœ ื™ื“ ื”ื‘ื™ืช ืฉืœื™ | ืื‘ื™ื’ื“ื•ืจ ื ื•ื™ืžืŸ
05:25
ืœื‘ื“ ื‘ื™ืขืจ | ืฉืจื” ื•ื™ื ืฉื˜ื™ื™ืŸ
07:14
ืžืฉื ื›ื‘ืจ ืœื ื ื—ื–ื•ืจ | ื”ื™ืœื“ื” (ื’ืจื™ื ื‘ืื•ื) ืฉืžื—ื”
06:26
ื‘ื•ื“ืคืฉื˜, ื”ื•ื ื’ืจื™ื”, 1942 | ืžืื™ืจ ื‘ืจื ื“
06:05
ื’ื ื˜, ื‘ืœื’ื™ื”, 1942 | ื ืชืŸ ื“ื™ืืžื ื˜
03:24
ืœื‘ื“ ื‘ื™ืขืจ | ืฉืจื” ื•ื™ื ืฉื˜ื™ื™ืŸ
07:14
ื–ื™ื›ืจื•ื ื•ืช ืžื™ื•ืื ื™ื ื”, ื™ื•ื•ืŸ | ืืจื˜ืžื™ืก ื‘ื˜ื™ืฉ-ืžื™ืจื•ืŸ
04:46

It's us | ืื ื—ื ื• 

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